Call for 2025-2026 CCSS Undergraduate and Graduate Student Fellows

Call for 2025-2026 CCSS Undergraduate and Graduate Student Fellows

The Centre for Computational Social Science (CCSS) is excited to announce a call for Undergraduate and Graduate Student Fellows for the 2025-2026 academic year.

About CCSS:

Based in the Faculty of Arts at the University of British Columbia, CCSS serves as a vibrant hub for interdisciplinary scholarship. Our focus is on understanding the intersection of data, technology, and society, and how computational methods can enhance our understanding of social phenomena.

Four Core Areas:

  • Research about society: Utilizing computational techniques to analyze and extract insights from large social datasets.
  • Tools: Adapting or building tools to enable computational research on social data.
  • Legal and ethical challenges: Addressing complex legal and ethical issues surrounding social data usage.
  • Computation and society: Examining how technology and algorithms shape society, including their impact on existing inequalities.

Fellowship Details:

  • $5,000 research project support for up to 4 graduate students and $2,500 for up to 6 undergraduate students from UBC’s Faculty of Arts.
  • Open to PhD and exceptional Master’s students for the graduate fellows program and BA and BS students for the undergraduate fellows program.
  • Program runs from September 1, 2025, to May 31, 2026.
  • Networking and professional development opportunities included.

Terms for Fellows:

  • Monthly meetings
  • Research symposium development
  • Attendance at CCSS events
  • Contribution to public-facing products
  • Submission of a final report

How to Apply:

Applications due by 11:59pm PT on Thursday, May 1 2025

  • For the Undergraduate Fellows program:
    • Follow this AIR link to apply (requires CWL)
    • For more information, refer to this document
  • For the Graduate Fellows program:
    • Follow this AIR link to apply (requires CWL)
    • For more information, refer to this document

Apply now and be part of shaping the future of computational social science at UBC!

For questions about the Fellows program, please contact us at info.ccss@ubc.ca

Call for Journal of Digital History – due May 31

I am writing to announce the CFP for a special issue of the Journal of Digital History focused on how AI reshapes historical research. The CFP is below and submissions should be submitted via the JDH website no later than May 31, 2025: https://journalofdigitalhistory.org/en/cfp/ai
With the emergence of large language models predicated upon transformer architecture (2017) and image generation systems, generative artificial intelligence has demonstrated considerable potential for diverse research applications across the humanities and social sciences, as well as strong ethical challenges.
Following the introduction of ChatGPT (2022), scholarly publications dealing with the human past, including history and memory studies, have undertaken examinations of generative AI’s applications within these disciplines ( Kansteiner 2022 ). The American Historical Review dedicated a forum ( Meadows, Sternfeld 2023 ) which highlights both the achievements of AI in history (particularly its ability to utilize large collections of primary sources) and the risks that this usage poses to historical research, primarily the reproduction of certain biases, notably but not exclusively those of gender and race. Thus, as the introduction to this forum reminds us: ‘To ponder the effects of artificial intelligence on the field of history quite often requires interrogating fundamental concepts such as truth, evidence, and authenticity.’ In a similar vein, Memory Studies Review dedicated a special issue to investigating the implications of generative platforms for collective memory formation and evolution ( Gensburger, Clavert 2024 ). Holocaust studies scholars are investigating which narrative chatbots based on AI are putting forward ( Makhortykh 2023 ). Significant discourse has emerged regarding AI implementation in archival institutions confronting exponentially increasing document volumes ( Jaillant, Caputo 2022 ). Photographic archives, presenting distinct methodological considerations, have garnered particular scholarly attention ( Dentler, Jaillant, Foliard, et al. 2024 ; Arnold, Tilton 2023 ). Digital historians are currently trying to figure out what AI ‘knows’ about the past ( Hutchinson 2022 ). Furthermore, generative AI holds the potential to fundamentally transform routine historical methodologies ( Clavert, Muller 2024 ), independent of major digital history initiatives. This proliferation of AI within historical and other past-related scholarship portends substantial modifications to methodology.
Nevertheless, this ostensible paradigm shift in historical investigation builds upon decades of computational advancement, considering the foundational work of early computer science pioneers ( Turing 1950 ; Turing 1937 ; von Neumann 1945 ) and even earlier, if we include the contributions of Charles Babbage and Ada Lovelace. While historians must examine the disciplinary implications of increasingly prevalent AI-enabled software, it is imperative to contextualize this recent technological integration within a broader historical framework, our primary objective of this Journal of Digital History call for papers.
Abstract submissions may address any implementation of AI in studies of the human past while maintaining historical and hermeneutical perspectives to appropriately situate contemporary generative AI developments within their historical context. Additionally, submissions should examine these practices within the broader evolution of computational methods (including antecedent mechanographic systems) in humanities and social sciences research since the post-war period (for instance: François Furet, Adeline Daumard 1959 ). Submissions must adhere to the journal’s established multilayered article format (narrative/hermeneutic/code and data). Prospective contributors are strongly advised to review the Author Guidelines prior to submission.
The submission process comprises two distinct phases: initial abstract submission via the journal’s digital platform, followed by complete manuscript submission. Issue coordinators will subsequently contact authors of selected abstracts to discuss manuscript feasibility and requisite writing environment parameters.

Call for nominations of the Zampolli Prize – due June 1, 2025

The Alliance of Digital Humanities Organizations (ADHO) Awards Committee is seeking nominations for the 2026 Antonio Zampolli Prize.

The Zampolli Prize is a triennial award that recognizes a single output in the field of Digital Humanities by any scholar or scholars at any stage of their career(s). As such, it offers a unique opportunity to reward individual projects that either have been formative or had a decisive impact on the field as a whole. Because the prize is awarded to the overall project, the recipients can be a single individual or a collaborative group of scholars, researchers, and/or practitioners. The output recognized can take any form: published research, developed resources, an established initiative, and/or center or tool(s) for research, for example. To be eligible for the prize, the nominated project must involve the innovative scholarly use of information and communications technologies.

We urge you, as members of the field, to take this opportunity to offer recommendations for outstanding work that you feel deserves recognition. Nominations will be accepted until 23:59 UTC on 1 June 2025. A winner will be announced at the DH2025 conference in Lisbon, and the prize will be awarded at the DH2026 conference in Daejeon, South Korea.

Nominations should consist of a single document (1500-2000 words) describing the work to be nominated and the individual(s) involved, paying special attention to the relevance and importance of this work to the field as a whole. Please include a brief description of the work, a discussion of its innovative use of information technology and, particularly, the importance of this project to the Digital Humanities. Self-nominations will not be accepted. Please address nominations to the ADHO President, Michael Sinatra, and send electronic copies to michael.eberle.sinatra@umontreal.ca.

Job Opportunity: Digital Scholarship in the Arts (DiSA) Digital Scholarship Fellow, Applications due March 26

Digital Scholarship in the Arts (DiSA)

Summer 2025 Digital Scholarship Fellow

UBC CareersOnline Job ID #985672 (1 opening)

UBC Department- Digital Scholarship in the Arts (DiSA)

Hours Per Week – 20

Salary / Wage – $26.02

Preferred Degrees/Disciplines – Computer Science/IT, Library, Archival & Information Studies, Arts/Social Sciences

Additional Documents – Cover Letter

Anticipated Start Date – May 5, 2025

Experience Level – Current Students in an Undergraduate Program, Current Students in a Masters Program, Current Students in a Phd Program

ID – 985672

Supervisor – Christine D’Onofrio

The Digital Scholarship in the Arts (DiSA) initiative is accepting applications for two part-time Digital Scholarship Fellows from students enrolled in a UBC-Vancouver graduate or upper-level undergraduate program. Prospective applicants should have an interest in and basic understanding of Digital Arts Scholarship methodologies or modalities, and comfort with technology/skills to join the team.

Digital Scholarship in Arts (DiSA) is a hub for knowledge exchange, fostering collaboration, and cultivating a community of Arts researchers engaged in digital scholarship. We are a combined initiative started by the Public Humanities Hub, Arts Instructional Support and Information Technology and the UBC Library Research Commons focused on Faculty of Arts research and scholarship using digital methods. DiSA’s primary goal is to support digital arts research and connect Arts researchers to the most relevant and innovative resources for digital arts scholarship.

In their role, the fellows will contribute to fostering, supporting, and amplifying digital scholarship in Arts at UBC. They will offer project support to faculty and graduate students on digital research projects by learning methods and tools, joining workshops, one-on-one and small-group training on digital scholarship skills and/or computational thinking. The fellows will also contribute to data collection about digital scholarship projects in Arts. Reporting to the DiSA Director, these positions will broaden DiSA’s mandate of collaboration, as you will connect with researchers, librarians, students and staff that comprise DiSA’s communities of practice, and be an active part/contributor to the partnership team.

DiSA’s broad understanding of digital integration is open to the candidate’s research areas and interests, therefore please share one or more of your area(s) of interest with us when applying. As a few examples of digital scholarship methods or modalities are; Geographic information Systems (GIS), Text Encoding Initiative (TEI), extended realities AR/VR/MR, podcasting, working with Application Programming Interfaces (API), digitization and/or document intelligence, interactive storytelling, data analytics and/or visualizations, etc.

The Digital Scholarship fellow duties and responsibilities are as follows:

  • Help identify appropriate software/computational tools to enable Arts faculty and graduate students to achieve research goals and create a resource inventory
  • Provide Arts faculty and graduate students with project-based training on specific tools that will allow researchers to produce new projects and scholarship more easily/more quickly
  • Learn new digital scholarship tools, methods, and practices onsite with other fellows, students, and faculty
  • Participate in the development, design, and delivery of showcases of Digital Scholarship projects in Arts
  • Develop and maintain Digital Scholarship resources on the DiSA website
  • Work on special projects in support of the Digital Scholarship portfolio
  • Foster a welcoming, research-driven, interdisciplinary learning environment for graduate students and faculty in the Faculty of Arts
  • Other related duties as required

 

Qualifications

Preferred candidates will have an interest and some basic experience with digital humanities, computational, and/or digital arts technologies, tools and software. It is important that applicants are organized, practice good time management and have initiative as much of the work is independent and will be completed in a hybrid environment (combination of in-person and remote). Candidates should be an upper-level undergraduate or graduate student in Arts disciplines. It is expected that students will learn new tools and technologies on the job, so students should possess a willingness and openness to learn and experiment with new technologies, tools, and methods.

  • Currently enrolled in a UBC-Vancouver Graduate or Undergraduate Program
  • Familiarity with and interest in digital scholarship methodologies and disciplines
  • Familiarity with the UBC systems and online resources
  • Some experience with Digital Scholarship methods, which could include work in the Digital Humanities

 

Contributions to University Community & Student Learning Components (UBC Vancouver Work Learn Program)

Candidates will be exposed to best practices in digital arts scholarship. While there is much independent work, the student will be supported by a flexible and open supervisor who has vast experience in digital scholarship and is always available to assist, share resources, give advice, tips and answer questions and will be given feedback about process along the way. The student will also work in a team of other students with varying and differing types of digital arts and humanities expertise who can and will offer feedback and guidance. By the end of the project, the incumbent will have developed and/or improved upon existing skills and tools in computational methods, project management, and interdisciplinary collaboration that can enhance their professional portfolio for future post-baccalaureate and/or job applications. Students will gain and/or refine professional skills in time management, interpersonal communication, and experience working in a team-oriented environment as well as practiced experience leveraging resources, stakeholders, corresponding with students and networking with the UBC community.

A positive, encouraging working environment will help students develop personal and professional skills, abilities and competencies. Through their work, students will:

  • Gain experience working with researchers in a variety of Arts disciplines
  • Learn about cutting-edge Arts research methods and modalities that utilize computational tools
  • Refine and improve teaching skills to complement course learning (e.g. delivering workshops and presentations and communicating complex concepts to an audience of researchers across diverse disciplines)
  • Refine, improve, and expand existing knowledge of computational tools used in digital scholarship and in technological sectors.
  • Develop transferable skills in designing, developing and delivering workshops that will enhance career outcomes in both traditional academic and alt-academic careers
  • Develop skills in providing individual consultations
  • Improve their data analysis software skills, which could transfer to the analysis of their own research data
  • Enhance intercultural and interdisciplinary communication skills and awareness
  • Gain experience working both independently and in a diverse, team-based environment
  • Develop transferable technology skills using a variety of digital tools and resources, computational software and hardware.

Award for Doctoral Research in Digital Art & Art History – Due April 21

The School of Art History at the University of St Andrews is offering a scholarship for doctoral research in digital art history and digital-born art for starting in September 2025. We welcome research proposals that employ or critically examine the applications of digital practices, methodologies, and tools in the fields of art history, museum and heritage studies, or the history of photography. Potential subjects include, but are not limited to:
  • Data visualisation
    Text mining
    Network analysis
    Digital mapping
    3D modelling
    Augmented/Virtual reality
    AI and computer vision
    Digital exhibitions and archives
    Scholarly communication by digital means
    Digital-born art, its curation and preservation
The scholarship covers tuition fees for the 3 years of the PhD programme and is available to Home/EU and overseas students.
If you are interested in being considered for this award, you should contact a relevant member of academic staff in the School of Art History to discuss your research interests and establish whether appropriate supervision is available for you. This PhD is part of the School of Art History’s wider commitment to expanding its expertise in Digital Art History, which includes new online courses and an MLitt in Digital Art History. There are no restrictions in terms of time-period or geography, and the award is open for supervision with any staff members in the School. There may also be potential for cross-School supervision (with for example Computer Science).
You must then complete the University’s application process to the School of Art History PhD programme by 21 April 2025.
Next, you must complete an application form and send it to the School of Art History Postgraduate Administrator, at pgarthist@st-andrews.ac.uk. Application forms are downloadable from the School website and must be returned by 5 May 2025.
Application forms are available to download from the University website: https://www.st-andrews.ac.uk/art-history/prospective/pgr/funding/#d.en.55930
This is a competitive award, and selection will be made based on your academic record, and the merits of the research proposal.
For all general enquiries about this award, in the first instance please contact Dr Emily Savage, Co-ordinator of the MLitt in Digital Art History (ens@st-andrews.ac.uk).

Meet the Faculty of Arts PhD students decolonizing the future of digital humanities across disciplines

Digital Humanities is an emerging research area that combines the expansiveness of computing with traditional humanities methods. Text encoding technologies offer new ways of analyzing texts. Whether it’s a medieval manuscript or graphic novel, when rendered machine-readable and encoded in extensible markup language, the large quantities of data generated in the process provides researchers with a vast overview that can inspire collaboration across disciplines and languages in innovative ways. In March 2024, a group of UBC PhD students from across the Faculty of Arts came together to work through a common challenge in the field of digital text encoding: the lack of a diverse and inclusive framework in TEI-XML.